Everything changed in 1997, when two friends
Darling had trained while living in Tucson called
him at his new home in El Paso. His friends told
him they had made the move to L.A. and invited
Darling to come join them working on actual
motion picture sets.
Darling made the move
began working in the
and television indus-
spending the major-
his time working
art departments and
creating special effects
makeup. While working
studying the burgeoning
of three-dimensional
animation, Darling also had
opportunity to learn from
greats in the industry just by
watching them work, and he used
new knowledge and experience
creating new short films.
“With those weapons under my belt
I could realistically get into
filmmaking,” he said.
Darling’s first feature-length film
-- 60-minute long "Ghosts" -- was
made with just friends, which he
described as a great learning expe-
rience.
Following “Ghosts,” Darling
moved to Albuquerque and put
together his newest release
“Grave Mistake” with more knowledge,
equipment and resources than he
had ever been able to work with
previously.
Although many filmmakers warn against working
with friends, Darling said it was never a problem for
him, and in fact, allowed him to have the most skilled
crew in the region at the most affordable price.
“I had a great crew (on “Grave Mistake”) that basi-
cally worked for free along with the credit they received
for their work,” he said.
Many of his crew had worked in previous films shot
in the area, including “Wildfire,” “Beerfest,” “Employee
of the Month” and “Wild Hogs.”
For “Grave Mistake,” Darling did everything – includ-
ing writing, directing, composing the musical score,
producing, editing and even playing bit parts – but most
importantly, he created the massive amount of special
effects necessary to make this zombie flick a reality.
“There were around 350 prosthetic makeups in
‘Grave Mistake,’” he said. “I really wanted to showcase
the makeup.”
Darling said that just last week, “Grave Mistake”
acquired a major distribution deal that will place the
film in every major rental chain in the United States,
including Hollywood Video, Hastings and Blockbuster.
Despite coming so recently off the massive undertak-
ing of his last film, Darling has already started working
on his next movie, a monster movie set in the Chihua-
huan desert. He is currently 80 pages into the new 90-
page script, which then leads into pre-production work
and casting.
Darling admitted that most people would take a
break and enjoy the recent success of “Grave Mistake,”
he feels a strong momentum right now and wants to
take advantage of it as long as it lasts.
“If you don’t keep the ball rolling, it stops,” he said.
Darling is working with Doña Ana Community Col-
lege’s Creative Media Technology department on using
local students as crew, allowing them to get valuable
experience in the field necessary to further their careers.
He is considering some people for parts in the new
film, but is still interested in seeing what talent lies
inside the Las Cruces area, so Darling will hold a audi-
tion from 9 a.m. to 1 p.m. Saturday, July 12, at the Rio
Grande Theatre, 211 N. Downtown Mall. Anyone age 18
and up will be considered, and Darling is still looking
for an older couple, approximately nine Latinos willing
to play drug dealers and five to six people age 18 to 25.
Although movie making has become Darling’s main
mode of artistic outlet, he works in a wide variety of
media.
Darling began playing music at the age of 10, and
has even run a recording studio, Gryphon’s Egg, during
four of his years in Las Cruces. Using his experience at
creating and recording music, Darling has scored all of
his films in his extensive studio that contains five key-
boards, recording equipment and a collection of guitars,
kept for the variation of sound each produces.
When not filming late into the night, Darling also
plays guitar and does some vocals for local band
Soulshine.
Darling began painting and sculpting in the sixth
grade at the behest of WSMR Elementary School teach-
er Myron Weckwerth, who saw a troubled child in Dar-
ling and pushed him into creative outlets.
“Mr. Weckwerth was one of the strongest influences
in my life,” Darling said.
Although he still has a smattering of paintings,
Darling lost the majority of his work in one of his reloca-
tions, but hopes to one day build up his body of work.
“At the time, I had to start over with one guitar and
a crate of books,” he said.
Although he plans to keep up his filmmaking momen-
tum as long as his energy will allow, Darling says his
big dream is to open a truly independent film production
facility in Las Cruces to further his own film capabili-
ties and to provide more opportunities for area students
wanting to get their foot in the door.
“My whole goal is to have a facility for the communi-
ty, but my personal goal is to support myself doing what
I love to do,” he said, “and I’m almost at that point.”
For more information on Shawn Darling or his
films, visit www.gravemistake.org or contact him at
gryphonsegg@hotmail.com.



Friday July 11, 2008 The Las Cruces Bulletin Page C9
Featured Artist
By Joel Courtney
The Las Cruces Bulletin
Many people don't have the constitution to follow
their dreams, but not Shawn Darling. Since the eigth
grade, Darling has been making the fantastical work-
ings of his imagination into a reality.
Although Darling had a growing
interest in special effects makeup
and had begun collecting Halloween
masks already, he said it was really
Michael Jackson's "Thriller" video
that pushed his interest over the
edge into the realm of filmmaking.
Darling started off making 8mm
films with his friends and stop-
motion animation with his action
figures, which was his first taste of
turning his dreams into a reality he
could share with the world.
Although he had progressed to
telling stories through film, Darling
never lost his first love of special
effects makeup, even getting the
opportunity to talk to his idol Tom
Savini, who is responsible for the
makeup on such iconic horror films
as “Friday the 13th,” “Creepshow”
and George Romero’s zombie classic
“Day of the Dead.” Savini told Dar-
ling he needed to move to Los Ange-
les to further his film career, but he
wasn’t ready to make that move yet.
Raised at White Sands Missile
Range (WSMR) and Las Cruces, Dar-
ling lived in cities throughout the
desert Southwest such as Las Vegas
and Tucson, Ariz., working a variety of jobs from stage
magician to waiting tables to pay the bills while still
dabbling in his makeup and sculpture work.